![]() 8 Eminem was to become the largest selling rapper of the 2000s. Dre also produced 50 Cent’s 2003 album Get Rich or Die Tryin,’ which debuted at number one on the US Billboard 200 Chart. Dre remained an important figure, producing the Marshall Mathers LP by Eminem, a white rapper from Detroit, in the year 2000. The popularity of hip-hop music continued through the 2000s. In 2020 Jay Z’s net worth was estimated at $1billion, Kanye West at $1billion, P Diddy at $855 million, and west coast rapper, Dr Dre, at $820 million. ![]() The Hip Hop generation, perhaps more than any that proceeded it, “freed” Black musicians from the control of music companies and paved the way for many to reap the financial benefits of their art. These trailblazers (initially, out of necessity) took control of and produced their own music went around the established music companies marketed their own labels and brands in innovative ways. In the mid 90s hip hop icons Jay Z, and Sean Puffy Combs (P Diddy) emerged in New York. East Coast gangsta rap icons included Kool G Rap and the Notorious B.I.G., while East Coast hip-hop was dominated by the hardcore rap of artists such as Mobb Deep, Wu-Tang Clan, Onyx, and the Afrocentric jazz rap and hip-hop of Native Tongues. On the West Coast, G-funk dominated during the 1990s, with artists such as Tupac, Dr. Schoolly D, N.W.A, Ice-T, Ice Cube, and the Geto Boys are key founding artists. Gangsta (gangster) rap, a subgenre that often focuses on the violence and poverty experienced by inner-city black youth, emerged during this wave. & Rakim, De La Soul, A Tribe Called Quest, Gang Starr, Big Daddy Kane, P-Diddy, Will Smith, Nas, and the Jungle Brothers. The artists and teams most often associated with this phase are Public Enemy, Boogie Down Productions, Eric B. 6 There was often a strong jazz influence in the music. The music was experimental, and the sampling drew on eclectic sources. 4 5 There were strong themes of Afrocentrism and political militancy in golden age hip-hop lyrics. Hip Hop’s “Golden age” or “golden era” is the description given to mainstream hip-hop produced between the mid-1980s and the early ’90s, which is characterized by its diversity, quality, innovation, and influence. Fresh, Whodini, Warp 9, the Fat Boys, and Spoonie Gee. Notable artists at this time include DJ Kool Herc, Grandmaster Flash and the Furious Five, Fab Five Freddy, Marley Marl, Afrika Bambaataa, Kool Moe Dee, Kurtis Blow, Doug E. The Sugarhill Gang’s 1979 song “Rapper’s Delight” is widely regarded to be the first hip-hop record to gain widespread mainstream popularity. These schisms are still being “healed” today as young musicians are now reaching back and embracing all the branches of the Jazz Tree. Bebop’s lack of “danceability” created the first. This development, I believe, created the second great schism in Jazz, disconnecting Black youth from the music of prior generations. It’s important to note that Hip-hop’s mercurial success led to Hip-Hop “only” radio stations targeting youth of all ethnic groups. This marketing revolution, led by Hip Hop, opened the door to musicians of all Jazz genres to have more control of their music and often more income. Black Entertainment Television, led by Robert Johnson, later grasp this opportunity, aired Hip Hop videos and grew to a multibillion dollar enterprise. However, Rap artists quickly resorted to producing their own music and employing innovative street level marketing efforts with great success. MTV and pop outlets refused to play Hip-hop. Like prior Jazz genres, Hip-hop’s emergence was initially impeded by the music industry’s resistance to marketing this new Black underground music. Hip-hop is deeply rooted in the African traditions of call and response and ring shout. 2 Rapping developed as a vocal style in which the artist speaks or chants along rhythmically with an instrumental or synthesized beat. At block parties, DJs played percussive breaks of popular songs using two turntables and a DJ mixer. However, hip-hop music did not get officially recorded for radio or television until 1979, largely due to a lack of acceptance outside ghetto neighborhoods. The most rejected youth of America used rap to speak the truth of their lives “in your face” (out for all see). The term hip-hop music is sometimes used synonymously with the term rap music, although rapping is not a required component of hip-hop music. It was created in the poorest, most neglected ghetto of New York City by black and Latino teenagers, as part of a hip-hop culture that also produced rap, breakdancing, and graffiti art. Said to be coined by Grandmaster Flash and the Furious Five member Keith “Cowboy” Wiggins, the music movement of hip-hop can be traced back to a “burnt out” South Bronx in New York City in the 1970s.
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